mama maker

an h.made update story

Last December, I promised myself that I would give creating and selling my work an honest try. I felt I had a clear idea of what I wanted to make and the why behind what I made, and so h.made studio was born. A little more than a year has gone by and my intent and purpose behind h.made is even clearer than when I began, but this clarity definitely came as the result of a steep learning curve.

I’ve known from the start that I wanted my work to portray images and details of the places I’ve experienced that have made me who I am and made my story full and mine. However, as my friend and fellow maker Bonnie Kaye Whitfield discussed in a recent post (click here to read—it’s empowering!), no one in art school prepares you to sell your work. I noticed when I began trying to make my work appeal to as many people as possible rather than stay true to what I wanted to create, my work was not as strong because I couldn’t clearly voice the “why” behind what I’d created. I was looking to how well my work sold to validate why I was making, rather than having confidence in my reasons for making. This misdirection led to lots of doubt over the last year and often wondering if I’d made a mistake to try to sell my work.

As my the first year of h.made studio wrapped up, I’d find myself word-vomiting when people would ask “how’s h.made studio going?!” Bless their hearts, they were usually considerate folks asking a rhetorical “how are you?!” type question, but what they got was an earful of literally how h.made was going. I would ramble on about how I’d learned a lot about what it was I enjoyed making and how I’d realized how important it was to me to be able to voice a purpose and story behind each piece to be able to feel proud of it and stamp it with the final “h.made.”

I realized these rambling responses to the “how’s h.made going?!” question were really me convincing myself that it was okay to stay true to the purpose behind h.made pieces, and to value those who share the same love of story and place. It’s like I was explaining my work to myself as if I were someone seeing it for the first time, like I needed to hear the reason I need to create and share my work over and over before it actually sank in for me. It’s these conversations that helped me clarify how I hope to move forward with h.made. I understand now that I don’t constantly need to create new things, that there is a loyal audience for the things I already make, and there are people who connect with my love of story and place. Is this to say I have it all figured out and everything will be awesome from now on? Nope, not even close, and I’ll probably need to reaffirm all of this by the end of the week!

I was talking to a friend while writing this post, and I loved what she said so much that I had to include it. She said she bought a piece of pottery while traveling in Romania because the piece had a story behind it, and things that have a story are more interesting and personal, which is why she doesn’t shop at Kirklands (just an example) because mass-produced pieces have no story (no offense Kirklands, but it’s true). I’m learning that people who purchase handmade pieces value authenticity and consistency of brand, and that is exactly what I hope to do—to stay true to communicating my story, creating work that others can relate to their story, and being proud of what and most importantly, why I make.

Window to Rome, an h.made tile inspired by the stained glass windows of my favorite place to stay in Rome, Italy.

Window to Rome, an h.made tile inspired by the stained glass windows of my favorite place to stay in Rome, Italy.